| This is an agent that can automatically generate storyboards. From a simple story description, it can generate a short video, making it invaluable for beginners looking for quick content creation. Advanced users can also refer to these storyboards to clarify their creative process and consider elements such as environment, lighting, and camera placement. Unfortunately, this agent requires an LLM (Large Language Model) to run. I plan to open-source this agent; if you are interested, please leave a comment, and I will open-source it later. This is one of the prompts used to create a storyboard: Using the character in the image as the main subject, keeping the facial features unchanged, generate an image based on the following: # Film Pre-Production Storyboard: Project Code "THE SHORE" (岸) **Project Type:** Mood/Modern Narrative Short Film **Visual Style:** Scandinavian Cinematography / Minimalism **Camera:** ARRI Alexa Mini LF **Film Simulation:** Kodak Vision3 250D (5207) ### [Area 1: Character Lock] * **Character Description:** 22-year-old female, thin, with naturally unkempt hair, giving it a sea-wind-eroded, tousled look. * **Clothing Lock:** Pure white cotton-linen dress (not silk, with realistic fabric texture and pleats), slightly damp with sand at the edges. * **Multiple Angles:** * **Front View:** Hollow eyes, staring directly at the camera, clear skin texture, slightly red nose tip (reminiscent of sea breeze). * **Side View:** Relaxed neck line, hair covering half the face. * **Back View:** Dress hem sways in the wind, showcasing the drape of the fabric. * **3/4 Angle:** Slightly shifted body center of gravity, presenting a natural gait. ### [Area 2: Expression + Motion Keyframes] * **Emotional State:** Alienation, nostalgia, slight breathing. * **Key Expressions:**
* **Motion Logic:** Slow and uneven gait, realistic pressure and deformation of toes on wet sand. ### [Area 3: Camera Plan] * **Shot 1-2:** Wide-angle fixed shot, long shot, establishing space. * **Shot 3-5:** Side parallel tracking shot (Dolly Track), medium focal length (50mm), maintaining the same speed as the actor. * **Shot 6-8:** Handheld shooting, slight shaking to increase the sense of presence, telephoto (85mm) to capture close-ups. * **Camera Notes:** The camera is always kept slightly below eye level to create a sense of solitude. ### [Area 4: Storyboard Panels]
### [Area 5: Lighting Continuity] * **Main Light Source:** Natural diffused light on a cloudy day (large softbox effect). * **Auxiliary Light:** Low-contrast ambient light reflected from the sea surface. * **Light Quality:** Extremely low contrast; grayscale details are preserved in shadow areas; pure blacks are prohibited. --- ### [Area 6: Materials and Effects System] * **Realistic Materials:** The texture of soaked cotton, salt crystals on skin, and the translucency of seawater (SSS material). * **De-AI Processing:** Adding slight lens chromatic aberration (edges), film vignetting, and extremely fine airborne dust particles (Tyndall effect). ### [Area 7: Color Script] * **Main Color Tones:** Prussian blue, cool gray, and creamy white. * **Tonal Range:** Lowering overall saturation, injecting cyan into shadows, and maintaining the natural warm tones of skin (a minimalist modification of Teal & Orange). ### [Area 8: Film Metadata] * **Frame Rate:** 24fps (48fps for some shots to simulate a poetic feel) * **Shutter Angle:** 180 degrees * **ISO:** 800 (preserves graininess in shadows) * **Aspect Ratio:** 2.39:1 (Anamorphic Widescreen) * **Core Keywords:** Solitude / Tactile / Atmospheric **[Director's Notes]**: Perfect AI skin smoothing is strictly prohibited. Preserve minor imperfections on the actors' faces and the messy footprints on the beach. Movements must have physical inertia; the swaying of skirts must match realistic wind force. [link] [comments] |
